How to look at the Suzhou Museum from the perspective of light design

One flower, one world, one city, one story. The Suzhou Museum, the last ending of the teacher in the world, is the place that makes me feel good.

Left: Hong Kong Bank of China Building, Middle: Japan Meixiu Art Museum, right: German History Museum

Teacher Pei Ming, an architect in the design world who focuses on abstract forms. Tongren knows that the architectural design of Mr. Pei Ming has three characteristics: First, the architectural shape and the environment in which it is located naturally melt. Second, space processing is unique. Third, the building materials and the interior design of the building are exquisite.

Subo has a total construction area of ​​15,391 square meters and is divided into the first floor, the second floor and the underground floor.

From the perspective of building structure, the top of the slope composed of modern geometry implies the basic concept of the traditional sloped roof of Suzhou ancient architecture, the continuous reproduction and reconstruction of triangles and squares, the cold rationality of minimalist art and the potential triangle of Suzhou traditional architecture. The linear movement of the wall and the square space of the building are intertwined, and the graphics of the East and the West are naturally transformed, concise, abstract, and powerful, and the fusion of Chinese and Western cultures is completed unconsciously.

In the application of roofing materials, the use of modern material granite to replace the blue tile, the application of the contrast of the Suzhou ancient building powder wall tile, to achieve the transformation between traditional and modern.

“Let the light do the design” is the famous saying of Master Pei.

Light-harvesting wells and floor-to-ceiling glass windows made of glass material can be found throughout the pavilion, introducing light into the exhibition hall to provide basic lighting. It is more conducive to the visual experience, and the perfect introduction of natural light overcomes a series of drawbacks brought by the museum's artificial lighting.

The traditional Suzhou architecture is a wooden beam structure. In the design of the new building, Mr. Pei Mingming adopted a tempered structure, and then used high-quality wood for steel structure to edging and packaging.

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